: The film featured the franchise's largest sets, including a full-scale Egyptian pyramid and a recreated 1980s mall.
Released in 2016 and directed by Bryan Singer, serves as the conclusion to the "prequel" trilogy that began with First Class . Set in 1983, it follows the awakening of the world's first mutant, En Sabah Nur (Apocalypse), who recruits four "Horsemen"—including a grieving Magneto—to "cleanse" the world and establish a new order. Production & Visual Feats
The film balances a massive ensemble cast by focusing on the friction between Charles Xavier's idealism and Mystique's battle-hardened realism.
: Oscar Isaac spent roughly 4 hours in the makeup chair daily for his transformation into Apocalypse. His 40-pound prosthetic suit was so restrictive and hot that cooling tubes were used between takes. Key Characters & Arcs
: Topping his previous appearance, the "Sweet Dreams" mansion rescue took 45 days to film. It was shot at 3,000 frames per second using a Phantom camera rigged to move at 90 mph.
: The film featured the franchise's largest sets, including a full-scale Egyptian pyramid and a recreated 1980s mall.
Released in 2016 and directed by Bryan Singer, serves as the conclusion to the "prequel" trilogy that began with First Class . Set in 1983, it follows the awakening of the world's first mutant, En Sabah Nur (Apocalypse), who recruits four "Horsemen"—including a grieving Magneto—to "cleanse" the world and establish a new order. Production & Visual Feats X-Men: Apocalipsis (2016)
The film balances a massive ensemble cast by focusing on the friction between Charles Xavier's idealism and Mystique's battle-hardened realism. : The film featured the franchise's largest sets,
: Oscar Isaac spent roughly 4 hours in the makeup chair daily for his transformation into Apocalypse. His 40-pound prosthetic suit was so restrictive and hot that cooling tubes were used between takes. Key Characters & Arcs Production & Visual Feats The film balances a
: Topping his previous appearance, the "Sweet Dreams" mansion rescue took 45 days to film. It was shot at 3,000 frames per second using a Phantom camera rigged to move at 90 mph.