Viale_del_tramonto_bn_hd_1950_cb01.tools_film_g... ❲Linux❳
Directed by Billy Wilder, Sunset Boulevard is perhaps the ultimate "movie about the movies." It tells the story of Joe Gillis, a struggling screenwriter who becomes a kept man for Norma Desmond, a faded silent film star living in a decaying mansion.
It contains some of the most biting lines in history, most notably Norma’s retort: "I am big. It's the pictures that got small."
It looks like you’ve come across a file name for the 1950 noir masterpiece (the Italian title is Viale del tramonto ).
It is a cynical, beautifully shot, and tragic exploration of how the industry consumes and discards its idols. If you haven't watched it yet, it’s widely considered one of the greatest films ever made.
Gloria Swanson, who played Norma, was herself a real-life silent film icon whose career cooled with the arrival of "talkies." Having her play a woman obsessed with her lost glory adds a chilling layer of reality.
It famously begins with the protagonist’s corpse floating in a pool, narrated by the dead man himself—a revolutionary storytelling choice at the time.
Directed by Billy Wilder, Sunset Boulevard is perhaps the ultimate "movie about the movies." It tells the story of Joe Gillis, a struggling screenwriter who becomes a kept man for Norma Desmond, a faded silent film star living in a decaying mansion.
It contains some of the most biting lines in history, most notably Norma’s retort: "I am big. It's the pictures that got small."
It looks like you’ve come across a file name for the 1950 noir masterpiece (the Italian title is Viale del tramonto ).
It is a cynical, beautifully shot, and tragic exploration of how the industry consumes and discards its idols. If you haven't watched it yet, it’s widely considered one of the greatest films ever made.
Gloria Swanson, who played Norma, was herself a real-life silent film icon whose career cooled with the arrival of "talkies." Having her play a woman obsessed with her lost glory adds a chilling layer of reality.
It famously begins with the protagonist’s corpse floating in a pool, narrated by the dead man himself—a revolutionary storytelling choice at the time.