Tystnaden Here

A signature Bergman visual technique, these shots emphasize the emotional distance and the inability of characters to truly communicate.

Other defining features of this influential art-house film include: Tystnaden

The two sisters, Ester and Anna, are frequently interpreted as two halves of a single person: one representing the intellectual/language-oriented side and the other the carnal/physical side. A signature Bergman visual technique, these shots emphasize