: Their interpretation typically follows the 4th Tone (Glasul 4) or 2nd Tone (Glasul 2), depending on the specific arrangement, characterized by the traditional Byzantine psaltic style or choral harmonization. Lyrical Summary
: Hosts various versions, including collaborations with TRONOS and solo choir performances recorded at the Metropolitan Cathedral. : Their interpretation typically follows the 4th Tone
: The Chivotul Choir often performs this troparion in collaboration with other notable groups, such as the TRONOS Byzantine Choir of the Romanian Patriarchate. depending on the specific arrangement