Critics from sites like The Film Stage have noted that the film leans heavily into the "exploitation" genre, featuring visceral violence and a fast, almost choppy pace. While the script hints at deeper dramatic potency, the final product often prioritizes brutal action sequences over the philosophical depth usually found in Schrader’s solo directorial works.
In conclusion, There Are No Saints serves as a stark reminder that in the world of cartel violence and personal vendettas, there is no room for purity—only the desperate struggle for a second chance that may never come. There.Are.No.Saints.2022.German.DL.EAC3.720p.AM...
While the title you provided refers to a specific digital file format—likely a high-definition German release—the film it contains is (2022), a gritty action thriller directed by Alfonso Pineda Ulloa and written by the legendary Paul Schrader. Critics from sites like The Film Stage have
At its core, There Are No Saints is a meditation on the futility of escaping one's past. The story follows Neto Niente (nicknamed "The Jesuit"), a former hitman for a Mexican cartel who attempts to live a quiet life after a stint in prison. However, the brutal murder of his wife and the kidnapping of his son force him back into the cycle of violence he sought to leave behind. While the title you provided refers to a
The screenplay, written by Paul Schrader (best known for Taxi Driver and First Reformed ), infuses the film with his trademark "lonely man" archetype. Like many of Schrader's protagonists, Neto is a man trapped in a purgatory of his own making. The film explores the "acidic worldview" typical of 1970s crime cinema, where traditional heroes are replaced by antiheroes whose souls are as scarred as their surroundings.
The specific file version you mentioned (German DL.EAC3.720p) indicates a release tailored for European markets, featuring "DL" (Dual Language—likely German and English) and high-quality EAC3 audio. This format ensures that the film's "appreciably fast clip" and "memorable shootouts" are experienced with modern home theater clarity, highlighting the gritty cinematography that defines this modern crime thriller.
The film's protagonist, played by José María Yazpik, is not a saint but a tool of destruction. His nickname, "The Jesuit," suggests a man of discipline and ritual, even if those rituals are lethal. His journey to Mexico to rescue his son is less a heroic quest and more a descent into a chaotic underworld populated by ruthless villains like the cartel boss played by Ron Perlman .