Analog and digital synthesizers, drum machines, field recordings. Slow to mid-tempo; non-linear "poly-time" structures. Atmosphere Pastoral, spiritual, humid, and tranquil.
: Critics have noted the "gentle" precision of Nohara’s production. It avoids the coldness of some IDM, opting instead for a warm, humid soundstage that feels "alive." : Critics have noted the "gentle" precision of
: Atmospheric immersion and environmental storytelling. It is a contemplative blend of ambient, fourth
Released in 2022 on the Swiss label (We Release Whatever The Fuck We Want), this double-sided project is a significant solo outing for Japanese artist Taro Nohara , also known as Yakenohara. It is a contemplative blend of ambient, fourth world, and environmental electronics. Overview and Artistic Context Critical Reception and Themes
: As the title suggests, this side is more evocative of a physical space—specifically the sacred, quiet atmosphere of a Japanese Shinto shrine. It emphasizes spatial depth, soft pads, and a sense of stillness, moving closer to pure ambient or "kankyō ongaku" (environmental music). Critical Reception and Themes