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: The standout opening single. It features a catchy, sing-along chorus and even utilizes a talk box effect, reminiscent of classic TEN tracks like "After The Love Has Gone".
: Some critics feel the album suffers from being a "TEN-light" project, suggesting that some songs feel like rejected tracks from Gary Hughes' main band. Others noted that while the first half of the album is strong, the second half can feel repetitive or "flat".
Check out this video review for a deeper dive into the album's production and melodic highlights: Tao Prophecy Review New Wave of British Heavy Metal YouTube• Oct 23, 2021 TAO - Prophecy :: Rock Report TAO (UK) - Prophecy (2021)
is a notable entry in the melodic rock and AOR (Adult Oriented Rock) scene, primarily because it serves as a vehicle for the songwriting of Gary Hughes , the mastermind behind the British band TEN . Fronted by vocalist Karen Fell , the album blends classic 80s-inspired hooks with modern production. The Sound and Style
: Karen Fell’s vocals are praised for their emotional range and technical prowess, particularly on the ballads. The production, handled by Hughes and mixed by Dennis Ward , is top-tier for the genre. : The standout opening single
: The title track offers a heavier tone with a "guitar and bass battle" intro that adds a darker, more angsty edge compared to the rest of the album.
The album is heavily influenced by classic female-fronted rock acts like and Pat Benatar , as well as the polished arena rock sound of Journey . Because Gary Hughes wrote all the material and produced the record, it inevitably carries the "TEN DNA"—grand arrangements, lush keyboards, and melodic guitar solos—but tailored for a female lead. Key Track Breakdown Others noted that while the first half of
: A mid-tempo ballad highlighted for its strong vocal performance and atmospheric keyboard work by Darrel Treece-Birch. Critical Reception