А·ѓ А·ђ А¶ѕ А·ђа¶± А¶±а¶ё А¶њ А¶єа¶±а¶є Saula Wannama А¶± А¶§ А¶ё А¶‰а·ѓ А¶љ А¶ѕ Apr 2026

Like other Kandyan vannam , the Savula Vannama follows a specific seven-part structure: : The basic rhythmic beat. Berapadaya : The drum sequence.

: Today, it is a key part of the national curriculum for dance and music students in Sri Lanka, often featured in Grade 13 and O/L practical exams. "Asala Wana Nima" Like other Kandyan vannam , the Savula Vannama

: A melodic introduction used to establish the sound scale. Kaviya : The poetic verses (lyrics) describing the subject. Kasthirama : A rhythmic conclusion of a section. Seeru Maruwa : A transitional movement. Adauwa : A final, high-energy dance sequence. Musical and Performance Characteristics "Asala Wana Nima" : A melodic introduction used

: The singing involves an Avagraha (starting the song slightly after the beat), which is a common characteristic in traditional Kandyan singing. Seeru Maruwa : A transitional movement

: The vannama is rooted in the legendary war between the Devas (gods) and Asuras (demons). It is said that when Lord Skanda (Murugan) entered the battlefield and cut an Asura in half, a rooster ( Kukkuda ) emerged from one of the halves.

: Most Kandyan vannam are believed to have been composed during the reign of King Sri Weera Parakrama Narendra Singha. They were likely written by a scholar named Ganithalankara , with the assistance of a monk from the Malwathu Viharaya, to be performed in the royal court ( Kavikara Maduwa ). Structure and Composition

The (also known as the Saula Vannama or "Recital of the Fowl") is the 10th of the 18 traditional Kandyan vannam in Sri Lankan dance. It is a rhythmic and melodic piece that portrays the movements and characteristics of a rooster ( savula ). Historical and Mythological Origins