Mey uses hyperbolic language to paint a vivid picture of the "lawn-fetishist":
Interestingly, Mey often performed this alongside a variations such as (Somebody is always drilling somewhere), extending his critique to the DIY home-improvement culture. Conclusion Reinhard Mey - Irgendein Depp mäht irgendwo immer
The "worst torture" described is not the noise itself, but the "unheimliche Stille" (eerie silence) that follows it—the agonizing anticipation that another "Depp" will inevitably start up again somewhere else. A Reflection on German Sensibilities Mey uses hyperbolic language to paint a vivid