Richter’s 2001 abstractions are characterized by their dense, multi-layered surfaces. Using a homemade —a large wooden plank with a rubber edge—Richter would drag wet oil paint across the canvas, partially obscuring the layers beneath while revealing unexpected "accidents" of color and texture.
While some works from this era lean into "toxic" oranges and artificial yellows, others maintain the cool, skeptical grays for which Richter is famous. Pleasure #162 (2001)
In the world of contemporary art, few names command as much reverence as . By the time 2001 arrived, Richter was already a titan of both photo-realism and abstraction. However, his work from this specific year represents a peak in his "squeegee" technique—a method that famously balances high-precision control with the beauty of pure chance. A Year of Artistic Transition In the world of contemporary art, few names
If you want to see these masterpieces in person, Richter’s work from this period is frequently featured at major galleries like David Zwirner and the Marian Goodman Gallery . Whether they are smoldering with passion or coolly detached, Richter’s 2001 abstractions remain a testament to the idea that painting is never truly "finished"—it is only ever a captured moment of transformation. A Year of Artistic Transition If you want