- Brother Louie 98' (feat Eric Singleton) Maxi-version: Modern Talking

The story of the '98 Maxi-Version is a collision of worlds. The song stretches out, giving the fans exactly what they want: a long, atmospheric intro where the bass builds like a rising tide. Eric’s rap verses provide a gritty, street-level energy that keeps the song grounded, while Thomas’s chorus lifts it back into the stratosphere.

But the track needs more than just nostalgia. It needs a bridge between the disco era and the booming rap scene. The story of the '98 Maxi-Version is a collision of worlds

"Check it out, check it out!" his voice booms, cutting through the lush melodies. But the track needs more than just nostalgia

The year is 1998, and the air in the studio is thick with the scent of espresso and expensive cologne. is leaning over a mixing console, his signature blonde hair catching the neon glow of the hardware. The classic 1986 synth pads of "Brother Louie" are looping, but something is different. The pulse is faster, harder—the heartbeat of a new decade. The year is 1998, and the air in

Enter . He walks into the booth, headphones sliding over his ears. As the "Maxi-Version" beat drops—a heavy, Eurodance-infused bassline—he starts his rhythmic assault.

Across from him, stands in the vocal booth. He’s traded the silk suits and "Nora" necklace for a sleek, late-90s minimalist look. He closes his eyes and hits that soaring, melodic hook: "You're no good, can't you see Brother Louie, Louie, Louie..."

In clubs from Berlin to Moscow, the "New Version" becomes the anthem of the comeback. It isn't just a remix; it’s a rebirth. As the final notes of the extended version fade out, Dieter and Thomas exchange a nod. The "Cheri, Cheri Lady" days were legendary, but with Eric's flow and this new tempo, they’ve just reclaimed their throne for a whole new generation.