In 1947, Massine revived the ballet for the Sadler’s Wells Ballet (now the Royal Ballet) with additional music and a vibrant new orchestration by Gordon Jacob. Jacob's arrangement is what most modern listeners hear on recordings. Musical Character of the Allegretto
The "Allegretto" movement is characterized by its nature, typical of the French opéra comique style. Lecocq: Mam'zelle Angot (Arr. Jacob): No. 7, Allegretto Feb 28, 2020 YouTube·National Philharmonic Orchestra - Topic lecocq_mamzelle_angot_ballet_2_allegretto
Lecocq: Mam'zelle Angot - Arr. Jacob - 6. Allegro vivace. 7. Allegretto In 1947, Massine revived the ballet for the
The ballet is based on Lecocq’s 1872 opéra bouffe , La Fille de Madame Angot . This was one of the most successful operettas of the 19th century, known for its witty political satire and catchy melodies. Lecocq: Mam'zelle Angot (Arr
The (often listed as No. 2 or No. 7 in various suites) is a lighthearted, rhythmic section of the ballet Mam’zelle Angot , a work originally composed by Charles Lecocq and later given new life through an orchestral arrangement by Gordon Jacob . Key Origins and Adaptation
In 1947, Massine revived the ballet for the Sadler’s Wells Ballet (now the Royal Ballet) with additional music and a vibrant new orchestration by Gordon Jacob. Jacob's arrangement is what most modern listeners hear on recordings. Musical Character of the Allegretto
The "Allegretto" movement is characterized by its nature, typical of the French opéra comique style. Lecocq: Mam'zelle Angot (Arr. Jacob): No. 7, Allegretto Feb 28, 2020 YouTube·National Philharmonic Orchestra - Topic
Lecocq: Mam'zelle Angot - Arr. Jacob - 6. Allegro vivace. 7. Allegretto
The ballet is based on Lecocq’s 1872 opéra bouffe , La Fille de Madame Angot . This was one of the most successful operettas of the 19th century, known for its witty political satire and catchy melodies.
The (often listed as No. 2 or No. 7 in various suites) is a lighthearted, rhythmic section of the ballet Mam’zelle Angot , a work originally composed by Charles Lecocq and later given new life through an orchestral arrangement by Gordon Jacob . Key Origins and Adaptation