Butler, J. (1990). Gender trouble: Feminism and the subversion of identity. Routledge.

Stray's character can be seen as a symbol of the countercultural ideals that defined the 1960s. Her rejection of traditional social norms and expectations embodies the era's spirit of rebellion and nonconformity. Stray's presence in the novel serves as a catalyst for Kesey and the Pranksters, encouraging them to push the boundaries of their own identities and challenge mainstream values. Furthermore, Stray's androgynous appearance and behavior can be interpreted as a manifestation of the fluidity and experimentation that characterized the counterculture movement.

Juliette Stray is introduced early in the novel as a captivating and androgynous figure, characterized by her striking appearance and enigmatic demeanor. Wolfe portrays her as an outsider, someone who exists on the periphery of Kesey's inner circle, yet exerts a profound influence on the Pranksters' collective psyche. Throughout the text, Stray's narrative presence is marked by a sense of ambiguity, as Wolfe deliberately withholds details about her past, motivations, and intentions. This narrative strategy serves to underscore Stray's elusiveness, mirroring the Pranksters' own fascination with her.