Hai Veniti Flacai La Joc. Dumitrita Visnevschi, Nicolae Negru,v. Lemnaru, V. Oancea, V. Craciun Site

"Hai veniți flăcăi la joc" is more than a song; it is a document of the "Lăutari" tradition in Southern Moldova. By combining vocal calls-to-dance with expert brass and percussion, the ensemble preserves the authentic energy of Romanian/Moldovan village life for digital and live audiences alike.

Percussionist/Drummer ( doboșar ), essential for driving the high-tempo dance beats. "Hai veniți flăcăi la joc" is more than

The work is specifically noted as originating from the region of the Republic of Moldova. In this geographic context, the music of Vișnevschi and her ensemble—often associated with the group "Tradiția mantasilor" —serves as a vital link between historical folklore and contemporary celebratory practices. The work is specifically noted as originating from

This paper examines the musical collaboration titled "Hai veniți flăcăi la joc" (Come, Lads, to the Dance), a performance rooted in the folk traditions of southern Bessarabia (Republic of Moldova). Through the vocal leadership of Dumitrița Vișnevschi and an ensemble of skilled instrumentalists, the work serves as a modern preservation of traditional hore and sârbe , essential to the regional "voie bună" (good mood) social fabric. 1. Artistic Lineup and Ensemble Roles Through the vocal leadership of Dumitrița Vișnevschi and

Fast-paced, rhythmic dances requiring high agility from both the dancers and the trumpet/accordion players. 3. Regional Significance

While sometimes credited as a performer, records indicate his primary role as the videographer/documentarian capturing these live traditional sessions. 2. Cultural Context: "Muzica de la Masă până la Dans"

Trumpet ( trompetă ), providing the melodic "edge" common in Bessarabian folk suites.