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The film is widely praised for its "Russian Decadence" aesthetic and its eerie, dreamlike cinematography.
Six years later, Platon is a shadow of his former self—impoverished and struggling with morphine addiction. He is hired by a wealthy merchant, Mr. Grilliot, to decorate a mansion. Gospodin oformitel(1987)
At the mansion, Platon meets Grilliot's wife, Maria , who is the exact double of the long-dead Anna. Convinced she is his mannequin brought to life, he becomes consumed by a desperate need to prove her artificial nature. Themes and Atmosphere The film is widely praised for its "Russian