Piesa este structurată ca un dialog între cei doi protagoniști. Laura Vass interpretează rolul femeii care suferă și cere claritate, în timp ce Sorinel răspunde cu o voce plină de remușcare și incertitudine.

Chiar și după două decenii, piesa adună milioane de vizualizări pe platformele de streaming și este interpretată la evenimente, demonstrând că mesajul despre iubire și alegeri dificile este atemporal. Moștenirea Muzicală

Spre deosebire de manelele de „petrecere” care dominau cluburile, „Pe cine să împac” este o piesă lentă, de ascultare, încărcată de o melancolie care a rezonat cu publicul larg. Impactul Cultural

de pe același album, precum „Buzele tale, două petale”.

Succesul piesei a fost atât de mare încât a depășit barierele genului muzical, devenind o referință în cultura pop românească.

Dacă vrei să aprofundezi acest subiect, te-ar putea interesa: Laurei Vass după perioada duetului.

Copilul de Aur Laura Vass - Pe cine sa impac

Neal Pollack

Bio: Neal Pollack is The Greatest Living American writer and the former editor-in-chief of Book and Film Globe.

6 thoughts on “‘What We Do In The Shadows’ Season 2: A Jackie Daytona Dissent

  • Copilul de Aur Laura Vass - Pe cine sa impac
    August 1, 2020 at 1:22 pm
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    I love how you say you are right in the title itself. Clearly nobody agrees with you. The episode was so great it was nominated for an Emmy. Nothing tops the chain mail curse episode? Really? Funny but not even close to the highlight of the series.

    Reply
    • August 2, 2020 at 3:18 pm
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      Dissent is dissent. I liked the chain mail curse. Also the last two episodes of the season were great.

      Reply
  • Copilul de Aur Laura Vass - Pe cine sa impac
    November 15, 2020 at 3:05 am
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    Honestly i fully agree. That episode didn’t seem like the rest of the series, the humour was closer to other sitcoms (friends, how i met your mother) with its writing style and subplots. The show has irreverent and stupid humour, but doesn’t feel forced. Every ‘joke’ in the episode just appealed to the usual late night sitcom audience and was predictable (oh his toothpick is an effortless disguise, oh the teams money catches fire, oh he finds out the talking bass is worthless, etc). I didn’t have a laugh all episode save the “one human alcoholic drink please” thing which they stretched out. Didn’t feel like i was watching the same show at all and was glad when they didn’t return to this forced humour. Might also be because the funniest characters with best delivery (Nandor and Guillermo) weren’t in it

    Reply
    • November 15, 2020 at 9:31 am
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      And yet…that is the episode that got the Emmy nomination! What am I missing? I felt like I was watching a bad improv show where everyone was laughing at their friends but I wasn’t in on the joke.

      Reply

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