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: Like many "Aïta" and Chaabi performers, his vocals are raw and emotive, often utilizing a "call and response" structure typical of Moroccan folk traditions.

: Many of his recordings, such as his popular Zaari Chaabi tracks, are released as a kachkoul (medley), where several popular folk songs are seamlessly blended into one continuous, high-tempo performance designed for dancing. : Like many "Aïta" and Chaabi performers, his

is a prominent Moroccan singer specializing in Chaabi Za3ri , a high-energy folk subgenre rooted in the rural traditions of the Zaer tribes. Key Features of Djellali Ould El Makhrat & Chaabi Za3ri Key Features of Djellali Ould El Makhrat &

: His songs are typically performed in Darija (Moroccan Arabic) and serve as a musical narrative of everyday Moroccan life, tackling themes of love, social joy, and the challenges faced by regular people. : His music is characterized by the Za3ri

: The "Za3ri" style originates from the Zaer region (near Rabat and Benslimane). It is traditionally a rural folk music (Aroubi) that was popularized in urban settings for celebrations and weddings.

: His music is characterized by the Za3ri rhythm , which is significantly faster and more intense than standard Moroccan Chaabi. Central to this sound is the captivating melody of the violin , often played with a distinct, rapid bowing technique, accompanied by the hypnotic beat of the bendir drum and rhythmic hand clapping.