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The ultimate intent of the work is to invite the audience to find —a state of seeing without acting or thinking, simply allowing oneself to feel before thought takes over. It encourages a "sincerity toward oneself" in the face of a society that demands life be a constant, high-speed performance.
: Once on stage, she delivers a "tornado-like" monologue, an endless stream of imagery reflecting a world accelerating toward a dizzying future.
la spectatrice de la vitesse...Dans les rues de Paris - Vimeo
: It critiques the "schizophrenic" state of Western humans caught between organized, productive time and the neglected, essential "inner time".
: She uses her body as a scientific tool to test the relationship between humans and the elements, turning everyday events into "concrete poetry". Philosophical Goal
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: Froment often begins outside the theater, leading the audience to the entrance, only to scream "Get in!" before running off to kiss a random passerby.
: The protagonist is a narrator who "never stops dying and being reborn" in a desperate quest for immortality.