This version is widely considered a for communities. It transforms a song of protest into a ritual of collective memory, ensuring that the names of indigenous victims are not forgotten while asserting that "we want to stay alive".
The project was born from the "Juntanza" (gathering/joining) of the Cabildo Indígena Universitario de Medellín (CIUM) and SentARTE , emphasizing horizontal collaboration.
Like the original, it names the pain of missing and murdered sisters, but contextualizes it within the unique struggles of indigenous women in Colombia. CanciГіn sin miedo - Juntanza de mujeres indГgen...
This rendition of the feminist anthem "Canción sin miedo" (originally by Vivir Quintana) is a powerful, multilingual reimagining created by a coalition of indigenous women in Colombia. It serves as both a protest against gender-based violence and a celebration of ancestral resilience. 🎵 Musical & Cultural Impact
Using mother tongues is a deliberate act of political resistance against the historical silencing of indigenous voices. 🌟 Why It Matters This version is widely considered a for communities
This version distinguishes itself by weaving together —including Dulegaya and Nasa Yuwe—alongside Spanish.
The accompanying music video, directed by Olowaili Green Santacruz, features women from various ethnic groups (Embera Chamí, Misak, Pasto, and others) in their traditional attire, reclaiming their territories and bodies. Like the original, it names the pain of
By moving the song from a purely urban feminist context to the "territorio-cuerpo-tierra" (territory-body-land), it highlights that for these women, the fight against violence is inseparable from the fight for their land and culture. Key Themes
